#BEE GEES GREATEST HITS CASSETTE TAPE ARCHIVE#
#BEE GEES GREATEST HITS CASSETTE TAPE FULL#
#BEE GEES GREATEST HITS CASSETTE TAPE TV#

Great Read: A painstaking effort to reunite forgotten films with their owners It chronicles the Australian pop groupвЂ™s enduring career spanning five decades, including its phenomenal reign on the music charts during the disco era that was rivaled only by the BeatlesвЂ™ dominance in the mid-1960s.

#BEE GEES GREATEST HITS CASSETTE TAPE FULL#

The work of IMES and other archival services will be on full display for viewers this Saturday when HBO and HBO Max premiere White Horse PicturesвЂ™ вЂњThe Bee Gees: How Can You Mend a Broken Heart,вЂќ a new documentary by director Frank Marshall. вЂњThey said вЂThereвЂ™s got to be a better way to do this.вЂ™вЂќ вЂњThe story goes that they were having assets delivered for a mix to their home studios and they would come back from the lunch and find them sitting on the porch and baking in the sun,вЂќ DiLeo recalled. Rae DiLeo, a recording engineer and studio manager who joined Iron Mountain in 2008, said Xepa was started by some of his peers in Los Angeles who were appalled over how their tapes were being handled in transit.

#BEE GEES GREATEST HITS CASSETTE TAPE ARCHIVE#

Iron Mountain Entertainment Services became more than an archive after its 2007 acquisition of Xepa Digital, which specialized in restoring and preserving outmoded audio and digital tapes. But the scope and cultural value of the stored holdings are clear when a visitor scans the thousands of labeled boxes in the locationвЂ™s vaults.

#BEE GEES GREATEST HITS CASSETTE TAPE TV#

Inside are the original tapes from many of the biggest entities in film, TV and music - most of which cannot be named publicly due to client confidentiality. One of the New Jersey facilities is located in a utilitarian two-story red brick building in Moonachie, a modest suburb near MetLife Stadium.

We can access it all and upload it to them. No one has to travel anywhere and risk their health and safety. вЂњThe more material they wanted to digitize the more we were able to deliver because it was sitting in our warehouses. вЂњWhen no oneвЂ™s trucks were on the road and no one was transporting any material, the projects we had continued - nothing stopped,вЂќ Podell said. The move to add those in-house services in recent years has proved invaluable during the pandemic when access, travel and production throughout the TV and film industries have been limited because of social distancing. Each site is equipped with temperature and humidity-controlled storage facilities and studios where technicians can remediate, restore and digitize old analog media. Iron Mountain has about 650,000 square feet dedicated to IMES, with locations in Boyers, Hollywood, London, Paris and New Jersey. вЂњThe doc world has been able to continue going inside this really tough environment.вЂќ вЂњWith COVID, I think thereвЂ™s been a huge premium to being able to have editors in a room by themselves with archival material or being able to safely shoot really small-footprint contemporary interviews with two people,вЂќ said Nicholas Ferrall, president of White Horse Pictures, which has worked with IMES. Record labels also have been scouring their files to make vintage video and audio available for streaming on YouTube, a project Iron Mountain has underway for Universal Music Group. Iron MountainвЂ™s clients include major film and TV studios HBO several sports teams, including the Los Angeles Lakers the Grammy Museum and the USC School of Cinematic Arts. Media companies have mined their storage files for vintage assets to give consumers a robust selection of shows and feature films. Three major streaming services have been launched in the last year, with two - WarnerMediaвЂ™s HBO Max and NBCUniversalвЂ™s Peacock - arriving after the pandemic brought much of the production business to a standstill. вЂњIf no oneвЂ™s producing, we still have to find content to entertain you.вЂќ вЂњOur business has been stronger in this period,вЂќ said Lance Podell, senior vice president and general manager for IMES. But the company said it had double-digit revenue growth this year because of increased usage of archived material. Iron Mountain, which had $4.26 billion in revenue last year, does not disclose finances for its entertainment services unit, known as IMES. Its main storage facility is an underground limestone mine built in Boyers, Pa., that goes 22 stories underground. The steady work flow has boosted the entertainment services unit of the Boston-based Iron Mountain, which was founded in 1951 with a mandate to protect documents, films and other media from destruction in the event of a nuclear attack, back when Cold War fears consumed the national psyche. The demand is sending media companies into their vaults to supply streaming services and documentary filmmakers, lending sizzle to the unglamorous business of archiving and restoring film, video and music assets. The creation of new shows and movies has been slowed by the health crisis while the appetite of homebound consumers looking for content is intensifying.

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